Summary
Bryan Lee O’Malley’sScott Pilgrimseries is one of the greatest transmedia properties in the cultural zeitgeist, with an identity that’s distinct yet rooted in so many facets of pop culture. What started as a comic becamea feature film by one of the brightest directors, a video game from one of the biggest developers, and now an anime from one of the most visionary studios in Japan.
Scott Pilgrim Takes Offis an 8-episode Netflix Original Anime and the newest take on the story, produced and written by O’Malley alongside co-creator and showrunner BenDavid Grabinsky. It also sees a reunion of the entire cast behind the 2010 live-action movie and even director Edgar Wright returns as an executive producer.
Such a grand reunion was undoubtedly a big draw for this new adaptation, but the studio behind it, Science Saru, is just as worthy of excitement. Founded byfamed animator and director Masaaki Yuasa(Devilman Crybaby,Inu-Oh,Keep Your Hands Off Eizouken, and more), this studio has been a pioneering force for expressive, diverse, and authentic stories in animation. This is nowhere clearer than the director behind this new take onScott Pilgrim.
The Director
Any anime fan unfamiliar with the name Abel Gongora will surely be familiar with their work. At the start of 2020, he was the director of the opening title sequence inKeep Your Hands Off Eizouken, a viral hit that spread like wildfire, inspiring no shortage of variants. It wouldn’t be an exaggeration to call itone of the most popular OPs in years.
Gongora spoke to Crunchyroll to share how he created the OP, using Adobe Flash, Animate, and After Effects, to bring it to life in all its zany glory. Just hearing him describe its making and how he managed to achieve the effects speaks to not only his out-of-the-box approach but also the simplicity behind some very effective techniques.
One could imagine some aspiring young animators picking up very useful insights from this opening and its behind-the-scenes footage. Not only was this super on-brand forEizouken, but it’s the kind of creativity that Science Saru thrives on. For Gongora to have gone from being primarily an animator and storyboard artist to a series director in such a short time is astonishing. Judging fromthe reception toScott Pilgrim Takes Off, his time as a director has just begun.
The Animators & Designers
This series has a stacked cast of animation talent, but a few of the bigger names stand out for their past work and, in one special case, how they inspired O’Malley. First and foremost, the chief animation director is Masamichi Ishiyama. He’s worked with Science Saru in the past, as well as Studio Trigger onBNAandLittle Witch Academia, and David Productions, where he served as AD on six episodes ofJojo’s Bizarre Adventure Part 5.
In addition to being chief AD for the series, Ishiyama is credited as one of the character designers, alongside Shuhei Handa and Shoko Nishigaki. Trigger fans will recognize Handa’swork fromLittle Witch Academia, where he was the main character designer and a prominent animator. Nishigaki is also an experienced animator, but previously designed the characters for Science Saru’sTatami Time Machine Blues.
For a series as vibrant asScott Pilgrim, getting the color design right is a no-brainer. Science Saru enlisted Satoshi Hashimoto and Narumi Konno, two people who have had a hand in some very big (and very pretty) anime over the years. They both worked onAttack on Titanwhile it was still being animated at WIT Studio, and Hashimoto recently lent his discerning eye toSpy x Family,Vinland Saga, andTrigun Stampede.
One credit on the staff list is particularly heartwarming if one is familiar with the origins of theScott Pilgrimcomic. One of O’Malley’sbiggest inspirations was 1989’sRanma 1/2, the character designs of which were done by industry icon Atsuko Nakajima. She’s been an animator and character designer since the early 80s and continues to pop up in anime today, such as last year’s anime adaptation ofKomi Can’t Communicate.
It is especially sweet to see Nakajima lend her talents to this new series. She’s credited as an animator, animation director, and character designer for a segment of the sixth episode. The sequence may be brief in the grand scheme of things, but it’s no less delightful. It’s one of those rare instances where the inspiration and the inspired come full circle.
Conceptually,all ofScott Pilgrim Takes Offis the IP coming full circle. This comic started as an homage to shōnen anime, albeit one that collided with a love of alternative rock and gaming subcultures. Almost 20 years later, it’s no longer just an homage at all, thanks to the overwhelming outpouring of love from audiences and critics who reexamined the franchise and helped propel it to new heights.
