Summary
Many open world games follow the traditional formula of non-linearity, where nothing is shown or given to the player in order for them to progress. The idea of the modern open world in gaming, however, is that theentire environment is a playgroundfor the superhero-like protagonist to explore, find secrets, and defeat bad guys. There are objective markers and missions, of course, but the player has the freedom to do whatever they want. It’s no secret that a majority of casual players don’t particularly like complex or challenging gameplay, but they do love to spend their free time in the game beating up enemies if they like the combat.
It seemed like a no-brainer for studios to capitalize on this, so some companies like Rocksteady and Ubisoft built their games around their combat systems to great success. Although games with an open world are more focused on exploration rather than combat, the genre’s titles are increasingly incorporating action-packed setpieces to draw gamers in. Today, franchises like theBatman: Arkhamserieshave influenced the combat systems of a lot of other games, for better and worse.
A game with a combat system that takes inspiration from theArkhamgames,Sleeping Dogsstill manages to distinguish itself with its unique Hong Kong setting and its great story. It feels like an HBO crime drama, andeven though the game was in developmental hellfor many years, it hits all the right notes.
The combat pays homages to classic martial arts action movies, with a bit of dark humor mixed in, making for a truly compelling combination. There are environmental attacks, spinning kicks, grapples, and limb breaks. There are only four types of enemies, though, so there isn’t a lot of depth to the combat once the player gets settled into the game, which is a shame. However, the kung fu action and richly-detailed setting are worth it, and there isn’t anything quite like itthanks to the excellent story.
Mad Maxflew under the radar when it came out in 2015. It has a beautiful open world, the vehicular combat and sound design are incredible, andthe game is officially canon in theMad Maxuniverse. The side quests are missable, and the story gets monotonous after a while, but the combat and harsh terrain of the desert world is enough to make the entire game an enjoyable experience. Its melee combat, while again clearly taking notes from theArkhamgames, unfortunately didn’t get a lot of attention because most fans think it’s a simple clone.
This couldn’t be further from the truth. The quality of the sound design shines here as well, with each punch and shotgun bullet sounding extremely guttural and raw. Although there isn’t a lot to speak of here in terms of complexity or difficulty, each base is a nice break from open world exploration. Inside a base, Max goes from one arena of enemies to another, mowing them down with a boxing-centred fighting style. Melee weapons can be picked up too, along with a shotgun and a sniper rifle later on in the game, but ammo is scarce.Mad Max’scombat is very much inspired by the movies and lore that it’s based on - full of animalistic violence and total brutality.
Sucker Punch Productions has a knack for making open-world games with unique combat mechanics. TheinFamousseries famously had protagonists with all kinds of powers - electric, video, neon, concrete, and even fire and ice powers. InGhost of Tsushima, the team at Sucker Punch decided to give their fans a great approach to stealth without sacrificing any of the variability that they are known for in the game’s melee combat system.
This variance comes in the form of stances. Jin Sakai learns different stances througtouy the game as he kills each leader of the Mongol camps, which enable him to fight against new types of enemies. Eventually, he can fight and counter spearmen, brutes, swordsmen, and shieldmen. The brilliant thing about this is that the game’s combat feels aligned with the story, as well as with Jin’s legend of becoming the Ghost. When he learns the Ghost stance, a feeling of awe and terror is palpable across all characters, not just the enemies that the player is fighting. The game is even better on the Lethal difficulty, and it is hard to ignore howaesthetically pleasing the duels are. With clear inspiration from Akira Kurosawa’s samurai films, katana strikes leave splashes of blood on the ground, enemies remain standing for a few seconds after being killed, and the screen flashes blindingly when Jin enters the Ghost stance. The flow of combat in this game is only rivaled by that of theArkhamseries in terms of how visually satisfying it is. It comes as no surprise thatthe game recently became Sony’s biggest first-party launch on PC.
The combat inShadow of Warbuilds upon its predecessor in all the ways its fans hoped for: it’s a lot more unforgiving, adds variety, and feels like a refined experience overall. Not only did it improve on everything that the first game did well, but the fighting feels faster than ever.
Not only is the combat in theMiddle-earthseries fast, slick, and brutally violent, but the inclusion of the Nemesis System adds a personal touch that many other games can never replicate. An incredible mechanic that was frustratingly patented by Warner Bros, it helps the game provide some truly memorable moments that make the combat feel so much more fleshed out in comparison with other similar games. When the game has NPCs that act on the actions of the player, in so many different and unique ways, the entire combat system feels incredibly rich and personal. It adds a new dimension to what feels like an ordinary game, andit’s a shame that the system hasn’t been used in any titlesinceShadow of War, although Monolith’s upcomingWonder Womangame is set to change that.
Batman: Arkham Asylum’scombat, although great for its time, drew some criticism upon release due to the simplicity of its counter system. All players had to do was tap a button upon seeing a prompt above an enemy’s head, and Batman would counter the attack and deal some damage every time. Technically, it was possible to win a fight with basic-level enemies by just pressing that one button from time to time. By the timeBatman: Arkham Knightcame around, the combat was almost unrecognizable. A variety of gadgets, environmental objects, and allies come in to help the Dark Knight; the conclusion to theArkhamtrilogy had it all.
Not only is the combat buttery smooth and flows better than ever, Batman jumps around like a maniac and feels like he has truly trained harder to best the enemies that he faces inArkham Knight. There are many different types of enemies, and they allrequire different gadgetsand movesets to defeat. Environmental objects add a new layer of depth to the combat abilities. The quickfire gadget system feels extremely satisfying when used in combat, and has also inspired a similar quickfire mechanic in other games likeSpider-Man.
WhileMarvel’sSpider-Manhad a combat system that was praised by gamers and critics alike, it was a little too easy, and the gadget abilities were overpowered for most players.Marvel’sSpider-Man2rectifies this by bringing the combat system more in line with its swinging mechanics - it feels organic and creative, and although the number of gadgets is reduced overall, the player has more freedom in deciding how they go about defeating enemies.
For example, the fact that gadgets are now bound to a quickfire mechanic means that the fast-paced combat isn’t interrupted at any moment. While combining special moves with regular attacks and aerial combos, bothPeter and Miles have different gameplay stylesthat the player can switch between depending on the situation that they’re in. Not only does this add a lot to the table in terms of gameplay experience, it also shows how much the two protagonists have grown since theSpider-ManandMiles Moralesgames.
